Tuesday, 7 May 2013
Evaluation - OUGD401
BA (Hons.) GRAPHIC DESIGN
|
LEVEL
|
04
|
|
Module Code
|
OUGD401
|
||
Module Title
|
Context
of Practice 1
|
||
END OF MODULE SELF-EVALUATION
|
NAME
|
Caitlin
Walsh
|
1.
What skills have you
developed through this module and how effectively do you think you have applied
them?
|
|||||
I feel that I am now more
decisive when it comes to analysing work in depth whether this be somebody else’s
work or my own. I can effectively critique work explaining positives,
negatives and other aesthetics as I go.
Through the writing of my
essay I feel that my research skills have improved a lot and I am more
efficient when it comes to finding key, relevant bits of information. Even
though I have struggled with y essay at ties I think that I have come through
a great learning process that will serve me in good stead when it comes to
writing the next one.
I feel that I have become
more aware of the history behind the world of Graphic Design as well as other
subjects from which Graphic Design has evolved and branched from. I have
about the practitioners who have played very important parts in the shifts in
graphic design as well as other influences such as war, literacy and culture.
I feel that this knowledge has helped me to look at things differently.
|
|||||
2. What approaches to/methods
of design production have you developed and how have they informed your
design development process?
|
|||||
Applying well-informed
knowledge to the aesthetic of a design. Being able to take complex and depth
information and displaying it in a way in which a message is received and
understood straight away. I feel that being able to do this is a very
important tool in being a Graphic Designer and is something, once prompted
and decisive, I have been able to use.
|
|||||
3. What strengths can you
identify in your work and how have/will you capitalise on these?
|
|||||
I feel that my academic
writing has come on a lot and it is something I want to push further.
I think. I think that my
ability to analyse and debate has got better.
I think that certain
aesthetics in my final piece work effectively and intrigue the audience into
looking at the product. I think my page layouts are effective and display the
information in a readable flow.
|
|||||
4. What weaknesses can you
identify in your work and how will you address these in the future?
|
|||||
I feel that I have worried
and debated to much on what it is I should do rather than actually doing it.
Due to this my final piece is not up to a suitable standard for me and the
outcome is something that I am not that proud of. I feel that my time management
skills need to be addressed so I can use my time efficiently so I’m not
rushing near the end. I feel that for this project my idea generation has
been to sporadic and at time irrelevant, which has also lost me time. I feel
that this is due to the great uncertainty I have had through out the whole
publication project and only having a clear Idea of what I should do after
the last Group Crit has made my work rushed and unprofessional.
One of my middle pages has
not lined up at all which was a big disappointment however this is something
I would change if I had the time. I feel that my stock choice wasn’t the best
in the form of printing even though the contrast does work well.
|
|||||
5. Identify five things that
you will do differently next time and what do you expect to gain from doing
these?
1 Manage my time in between
projects more efficiently. This will allow me to use my time more
appropriately by sharing the load between projects ensuring I have a level
work field.
2. Explore the tools and facilities
that are available to me more. This will help to give me more options at my
disposal, which will benefit the finishing of my work in the future.
3 Apply more effective idea
generation. This will give me more options in the log term ensuring I take
the best aesthetic route available.
4 seeking more help from
support and tutors around me. Having well informed advise and opinions may be
able to help define and idea which would save me struggling in the future.
5 Simple be more organised
with my work-load so I can over come it in a methodical way.
|
|||||
6.How would you grade
yourself on the following areas:
(please indicate using an
‘x’)
5= excellent, 4 = very good,
3 = good, 2 = average, 1 = poor
|
|||||
1
|
2
|
3
|
4
|
5
|
|
Attendance
|
x
|
||||
Punctuality
|
x
|
||||
Motivation
|
x
|
||||
Commitment
|
x
|
||||
Quantity of work produced
|
x
|
||||
Quality of work produced
|
x
|
||||
Contribution to the group
|
x
|
||||
The evaluation of your work
is an important part of the assessment criteria and represents a percentage
of the overall grade. It is essential that you give yourself enough time to complete
your written evaluation fully and with appropriate depth and level of
self-reflection. If you have any questions relating to the self evaluation
process speak to a member of staff as soon as possible.
|
Monday, 6 May 2013
ESSAY - OUGD401
'ADVERTISING
DOESNT SELL THINGS; ALL ADVERTISING DOES IS CHANGE HOW PEOPLE THINK OR FEEL'
(JEREMY BULLMORE).
EVALUATE THIS STATEMENT WITH REFERENCE
TO SELECTED CRITICAL THEORIES (PAST OR PRESENT).
This quote taken from Jeremy Bullmore
questions the fabric of what advertising aims to do and seems to deem it
potentially unethical. Adverts are known to be exaggerated examples of how
the specific product can affect your life usually for the better. Even though
many people are aware of the fabrication and romanticizing that go's into the
making of advertisements, they still, even if unknowingly, influence our
choices and lifestyles. There are positives and negatives to the impact
advertising can have on the public. Throughout this evaluation I will be investigating
the ethics of advertising when it comes to the perception of men by comparing
and contrasting these influences along with the opinions and views of
professionals.
When it comes to advertising on the
television, and more recently, over the Internet, Advertisers carefully pick
and choose where to place their advertisements as well as the channels they are
shown on and the time of day they are shown. This is done to ensure that the
product being promoted is being directed at an audience that is most likely to
take an interest in the product and potentially make a purchase.
Considering the influence of gender in
advertising, Berger points out how men are perceived in a traditional way. ‘Men are measured by the degree of power
they offer. The power may be in any number of forms, for example moral,
physical, economic etc. A man’s presence suggests what he may or may not be
able to do to or for you.' (John Berger, 1972, p.5) The image
shown in (fig. 1) is usually
displayed within the pages of a magazine and, in a modern way, depicts the
quote of Berger. This Dolce Gabbana advertisement shows a male dressed in
a suit with a slight smile on his face, the fact he is wearing a bow tie
suggests that he is going for dinner at a very well to do affair among wealthy
clientele like himself. He is also adjusting his tie implying he has just got
ready and the finishing touch of perfection is the fragrance advertised. The
image feels quite personal as the male is looking directly at the camera
implying he is looking directly at the viewer. The ethos of this image applies
to the above quote as power is shown through morals and wealth. This man takes care of himself and takes
pride in his appearance. Through the sale of this product the male character is
offering his type of lifestyle to men. Therefore, subtly implying that this is
what men should strive for and without this they are inferior. Even though many
people see adverts like these everyday, whether it be on the television, on
billboards or in magazines, many don't interpret them in-depth. However,
understanding the manipulation delivered through this character introduces the
opinion that advertising in this way is immoral. Suggesting to the consumer
that spending money and buying this product can put you on a par with the rich
and famous is a very unethical approach to promotion. Therefore in an opposing
opinion this advert contradicts the traditional identity of men disclosed
within the quote from Berger. This, in turn supports the title statement given by
Bullmore.
'Men used to know their place, as provider for their family,
says Clare, and this was a role to be proud of. But today, as women show that
they can do everything that men can, this provider role becomes
diminished.' (Clare in Gauntlett, 2008. p8) Clare in
Gauntlett discusses how men and women have become more equal
through time, advertising involving the lifestyle of men has changed. There are
still many advertisements that depict men as the to the 'bread winner' or
'protector' to gain recognition of a certain brand. However this, now
old-fashioned stereotype of the workingman has taken a back seat due to the
rise in equality of women in society, and their pursuit to break out of the
‘house wife’ role they were once stereotyped and labeled through. Due to this leveling
and fading of positions is society regarding gender, brands have started to use
more modern stereotypes to depict men and gain recognition. Showing men as
mischievous and humorous' is now quite a frequent persona that brands attempt
to inflict when promoting a product. The use of humour in this way makes the
advertisement more memorable to the consumer, which in turn may influence their
next purchase for filling the targets od advertisers. Even though this humour
is seen as a charming and harmless form of entertainment, the way in which this
is translated through a male character can be stereotypical in a negative way.
Men are sometimes depicted as idiotic, which with respect to the title quote
from Bullmore could be damaging to how men are perceived in society.
In a way this statement from Gauntlett supports this feeling of new emerging
identities for men in advertising due to the rise of the ‘stronger women’. The
word ‘flux’ suggests that men are struggling with their identities and how they
want to be seen by others. However, this suggestion of a struggle alone brings
in to question the morals of advertising due to the pressure it is putting on
the consumer. Men believing they need to mirror what they see in adverts to be
successful in the workplace, in relationships or in their male friendship
circles can be seen as a negative influence, which can diminish the core of
their personality and their individuality.
The rise in advertisements that show men as part of a group acting foolish
provoke laughter is part of this new separation from women. ‘Male banter’ has
now become a very specific thing to men and is something women find shallow and
inconsequential. This is because ‘Male Banter’ is often made up of crude
comments that can often be taken offensively.
‘There
is even a noisy minority who argue that feminism has ‘gone to far’ and that it
is now men who have the worst deal in society’
(Gauntlett, 2008. p3) This suggestion implies that
because of this leveling, and even over compensation of power for women in
society, men have begun to suffer. It could be said that due to this
‘fluctuation in masculine identity, advertisers have used this new phase of
idiotic, immature depictions of men to get ‘cheap’ recognition. However this can
be a damaging and unfair stereotype for men to carry. It can also be seen to
have a negative effect as it can influence men in to thinking that making fun
of others, and not taking situations seriously, as acceptable and even drop
some of the responsibilities they have to others.
There has been a huge rise in the amount of
adverts that are directed at men, however make fun of their thought processes
and lifestyle. Even though this method belittled these thought processes,
somehow they have become popular when directed toward a male market. The
immature nature that is depicted in many advertisements makes the promoted
product become more relatable to men who strive to be ‘one of the lads’. there
are not many theorists that go in to detail on this very new demeaning
portrayal of men. However this quote from Murdock & Wilborn
supports this notion. 'It's not just
stupidity that is supposed to make all of the males in the audience nod and
say, "That's me!" it's childlike laziness, too.' (Murdock &
Wilborn, 2012) This quotation also relates back to the initials title
statement by Bullmore that advertising changes the way in which people think
and feel.
As well as adverts relating to
this immature nature, there are many promotions that also play with the ‘old fashioned’
stereotype of the man being the powerful force behind a family. The
‘Moneysupermarket’ (fig.2)
advertisement shows a very average man named Geoff visiting the beach with his
family. Because this man is not in the best physical shape, as he starts
walking towards the sea with ridiculous inflatable in hand, the way in which he
is striding along with an intense look on his face implies he is a powerful
family man with great confidence. The humour in this advert comes from the fact
that this is not how powerful and masculine men have been perceived in the past
as stated by Berger in the earlier quotation. The story within this advert can
be taken negatively or positively. Negatively, it can be seen as making fun of
the average, everyday man due to his lack of physical fitness and choice of odd
clothing.
On the other-hand, positively this advert
revolves around a real person, even though the man's roll is played by an
actor, his character depicts the ‘average Joe’ which, in turn, makes this
character more relatable and recognizable to everyday people. The fact that
this very average man exudes such confidence about himself almost gives
influence to others to be more content and happy within them-selves.
Another good example of this almost exaggerated
and humourous take on traditional gender rolls is depicted in the recent Yorkie
chocolate bar advert (fig 3). This
advertisement show a man struggling to take multiple bags of shopping from the
car into his house and focuses on very recognizable dilemmas he has to overcome
during this normal, everyday activity. The humour comes from the fact that this
male character ‘oozes’ power and masculinity to overcome these issues to simply
get the shopping in from the car. There is also an added, more modern gender
stereotype at the end of the advert were the man looks to his suggested spouse
with a look of proud achievement and satisfaction on his face which is met by
the raise of the women’s eye brows implying that she is not impressed. The
inclusion of the passive reaction from the woman supports the suggestion that
women have become more powerful in gender stereotyping.
‘Men
have to find a new, modern, useful place for themselves in the world – just as
women have to. And this is where the mass media and popular culture come in,
because they offer important tool to help men – and women – adjust to
contemporary life.’ (Gauntlett, 2008.
p9) In this statement Gauntlett suggests that mass media is a
helpful thing when it comes to depicting new gender roles and stereotypes
because it gives women as well as men a visual representation on how they can
live and act in society while being successfully accepted. This quote also
addresses the title statement by Bullmore but translates it in a positive
light. Gauntlett accepts that mass media is a very influential thing in todays
society but implies that this great power can be useful in aiding men and women
in being aware of what is acceptable. Again the ‘Moneysupermarket’ advert is a
good example of how mass media can be used to good effects relating to the
pressures put on men and women in today’s society concerning physical
appearance. The Yorkie advert can also be a representation of the corresponding
view Gauntlett has taken on the title quote as it represents how far society
has come concerning gender rolls and the fact that we can now laugh at what has
been before because traditional views are now not seen as acceptable.
‘True masculinity is almost always thought to
proceed through men’s bodies.’ (Connell, 2005. p45) This quote suggests that men strive to have muscular bodies
because this is a very strong display of masculinity. The fact that muscle
equals strength and strength equals power creates an image of dominance, which
as well as hormones defines masculinity.
As well as women being bombarded by images
of ‘perfect’ bodies, Men are also subject to similar pressures. (Fig 4) Many advertisements show near
naked men adorned with muscles from head to toe, often promoting products that
have nothing to with the physical attributes of the male figure (products such
as fragrances). However the use of this body image paired with un-related items
still influences the feelings men have. In recent years many issues have been
raised about the use of small framed, skinny women in advertisements because of
the huge impact it has had on women. It has been proved that women are deeply
affected by body image and has contributed greatly to many illnesses such as
anorexia. There have also been similar problems in men being affected by such
imagery, however because women have to starve themselves, and become unhealthy
to reach such goals, men do not have to go to the same extremes as this to
reach the same level depicted in magazine pages.
‘Blaming
the media for reproducing and extolling representations of unrealistic female
bodies that influence young women to starve themselves as almost become a
popular truism’ (Wykes
& Gunter, 2004. p3)
The argument for men being
advertised in this way is that it is perfectly healthy and if men are inspired
to have a body like this then this can be very beneficial to their health and
well being. An example of this positive use of male imagery is shown with in
the popular publication 'Men’s health' magazine.
As well as having these images of muscular,
physically fit men, there are now many adverts, usually shown in digital media,
depicting average looking men that are not in the best physical shape. The ways
in which these adverts are presented suggest that these ‘imperfect’ men are
being made fun of. However this almost ‘soft’ form of bullying is acceptable as
the character is receiving it in an open way because this mirrors how peers in
a male group treat each other and act toward each other through ‘male
banter’. When this type of advertising
is related to women, as stated before, it already feels that through time the
depiction of women has risen so they are seen on the same social par as men.
Because it has been suggested that in recent times men have been struggling to
establish a new identity of masculinity due to the equality between men and
women, it feels as though men are breaking from this ‘crisis’ through this jokey
everyday man image. When this is shown through the physical form, it almost
feels as though men are getting back at women. There is no denying that women
fret about their physical appearance more than men and it is something that
many women worry about everyday. So to show men as content, happy and almost
uncaring on how they are seen by others gives a feeling of freedom and, through
the eyes of a man, superiority over women.
“When
the gaze is turned on itself, men are more likely to move through a range of
responses such as rejection, identification and desire” (Schroeder & Zwick,
2004 .p26)
In the past, advertising methods that portray the ‘male gaze’ have been used to
entice both male and female audiences. From a women’s point of view the ‘male
gaze’ is something that is desired. For a woman to attract the gaze of a man
suggests that she is attractive and sexually appealing to men. From a man’s
point of view, visually sexualizing a woman gives them a greater sense of
masculinity because they strongly desire the opposite sex. However, viewing
women as sexual objects in advertising has come in to question in recent years
due to the affect it can have on consumers suggesting that this type of
behavior towards women in acceptable. The statement above from Schroeder & Zwick refers to advertising based
on the physical appearance of a man, however it can also be used to accompany
the new advertising craze of the average, comical man discussed previously.
It is very evident that advertising,
through every form it comes in, will always have a massive influence on how
society is. In the past advertising through mass media has been frowned upon
due how it can create stereotypes that can, in turn, have a negative effect on
everyday people. Not only has this created unfair stereotypes of certain
lifestyles of cultures, it has also created, purposefully or not, un-realistic
stereotypes to which many strive to achieve within their own lives. There is no
doubting that it is these types of issues that have helped form the opinion
stated in the initial quote by Bullmore as there is a hint of distain towards
the effect advertising has had on society. By looking at masculinity in
advertising it has given a specific audience within which we can explore the
effects and ethics of mass media and how it is being used in todays society.
Through male directed advertising and advertising depicting men and their
various lifestyles we can see evident changes in how men and women are shown
together and also changes in how masculinity is identified. These changes have
been brought about mainly through the rise of women’s rights, which has forced
advertisers to find new identities for men that no longer rely on the traditional
gender roles. Humour based on male immaturity has become popular in recent
times and this is one way in which advertisers have separated the lifestyles of
men and women. This is because women do not find this type of comedy as
appealing, yet men can relate to the ‘male banter’ ethos. There are still many
adverts today that depict masculinity through power; however showing such
displays in a humorous way makes it more acceptable as it is not taken in a
serious manner. This is also the case for advertisements involving both men and
women.
BIBLIOGRAPHY
-
Gauntlett. D (2008) ‘Media, gender & Identity: An
Introduction’, Routledge, p3.
- Clare in Gauntlett.
D (2008) ‘Media, gender & Identity: An Introduction’, Routledge, p8.
- Gauntlett. D (2008) ‘Media, gender & Identity: An
Introduction’, Routledge,
p11.
- Gauntlett. D (2008) ‘Media, gender & Identity: An
Introduction’, Routledge, p9.
- Murdock.
C & Wilborn. A (2012) ‘The 5 Most Insulting Ways Products Are Advertised to
Men’ (online) Date accessed – 25/4/2013
-Wykes. M & Gunter. B (2004) ‘The Media and Body Image: If
Looks Could Kill’, Sage, p3.
- Connell R. W (2005) ‘Masculinities’, Polity, page 45.
- Berger. J (2008) ‘Ways of Seeing’, Penguin Classics,
page 5, (online) Date accessed - 10/1/2013
- Patterson. M and Elliott. R in Schroeder J. E. & Zwick
D. (March 2004) ‘Consumption, Markets and Culture’, Vol. 7, Taylor &
Francis Ltd, page 26, ISSN 1477-223X (online),
Further
Research.
- Spence. E, Heekeren. B. V (2005) ‘Advertising Ethics –
Basic ethics in action’, Pearson/Prentice Hall.
- Pringle. H (2004) ‘Celebrity Sells’, John Wiley & Sons.
- O’Shaughnessy. N. J, O’Shaughnessy. J (2004) ‘Persuassion
in Advertising’, Routledge.
- Dr. Popova. D (2010) ‘Gender stereotypes in advertising’(online) Date
accessed - 27/1/2013
- Kirkpatrick. J (2007) ‘In defence of Advertising’, TLJ Books.
- Jobling. P (2005) ‘Man Appeal: Advertising, Modernism and Menswear’,
Berg
(FIG1)
(FIG 2)
(FIG3)
(FIG4)
Subscribe to:
Posts (Atom)